Walter Sickert and the Army of Broken Toys released a new CD, SteamShipKillers (BandCamp link) Friday night. Jaggery, who had just recently released a Double-Single, opened. Two of my favorite Boston-based bands in one place? Bliss.

 

 

 


 

There’s more in the full gallery, including one with a mostly naked girl. Bet that got your attention, eh?

I keep shooting these guys because they and their live shows are Made of Utter Awesome; they’re on a mini-tour in the northeastern US as I type. Dates are on the front page of their website!

Just a preview. The rest of the photos from the SteamShipKillers release party should come tomorrow!

Kodak Tri-X 400, Leica 90mm f/2.5 Summarit-M. On the MBTA Red Line between Harvard and Central Sq.

Kodak Tri-X 400, 50mm f/2 Summicron-DR. This was taken a little before sunset – lots of flare from the sun being just off the left side of the frame!

My main film cameras are a Rolleicord IV and a Leica M4. They’re both older cameras (circa 1953 and 1967, respectively) and extraordinarily well made machines — they feel good to hold and use. When using them I’m more drawn in and involved than I am with digital, and much more than my Canon film SLR which is an autoexposing, autofocusing, autowinding wundermachine.

Working in the darkroom is more of the same – making test strips, choosing your exposure and filters, burning and dodging, then watching your photograph slowly appear in the developer is a very visceral experience.

My DSLR still has its place – some of the lenses for it are unique, and others are ill-suited for a rangefinder or a TLR. Even if I had the unobtainable object of lust that is the Noctilux, the DSLR would still be better for night time handheld photography than the Leica. Each tool for the right job.

On the subject of lenses, I’m renting a Leica 90mm f/2.5 Summarit-M to try out on my M4. The Leica is a much more discreet camera than the SLRs and their huge lenses are, and I don’t have a longer focal length for it. I’m pretty sure I would enjoy the extra bit of length compared to my 50mm Summicron (which I am) and I was curious to see how this lens handled and drew on the film.

So far I’m very pleased, but when it comes time to buy finding an older, used 90mm f/2 Summicron will probably be more in the character of the camera.

Kodak Tri-X 400, Leica 90mm f/2.5 Summarit-M. Rough edit of the photo, I’ll probably come back to this one and re-post it at some point.

Blake Brasher (aka @electroblake) busking in Harvard Square. I took some film as well but probably won’t be able to develop it for a couple of weeks.

Blake, you’re welcome to the un-watermarked image if you’d like it.

This was a quick B&W conversion using Photoshop CS5.