This was taken before the special MA senate seat election, so the photo itself isn’t (conscious) commentary.
Simple Little Picture
A New Year’s Benediction
May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you’re wonderful, and don’t forget to make some art — write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself. —Neil Gaiman
Looking up at the stars
December 14th, 2009
Canon 24mm f/1.4L II
What a difference a few months makes.
When I had rented the 24mm f/1.4L II during the summer, my summary was “Nice lens, but I don’t think I’d use it enough”. After a little bit of time, a lot of shooting, and a bit of frustration after then sun went down with the 17-40mm f/4L, I started hunting for the 24mm, desperately hoping for it to be in stock somewhere long enough to order. Finally I got one in October and since then it’s barely left my camera for more than 5 minutes at a time.
After going out with it at dusk the first night, I fell utterly in love with the lens – it’s like it was crafted by elves and sprinkled with magic pixie dust. If you like the 24mm focal length, and especially if you like available darkness photography, just go out and buy one. You won’t be sorry. In the center it’s sharp even at f/1.4. And when you’re shooting wide open it just pulls photons out of the night and lovingly places them on your sensor:
It is however making me wish for more AF sensors on the 5D – working very close up and wide open your depth of field is small enough that focus-and-recompose probably won’t work. My eyesight isn’t good enough to critically focus a 24mm lens visually, so I’m depending on the AF sensors a bit more than I would with the 100mm macro. An example of close focus:
It has, rather obviously, taken the honor of being my very favorite lens (closely followed by the 100mm f/2.8 USM macro).
You can see more samples from back when I rented it. This is a lens that almost always stays on my camera and in my camera bag. It’s very deeply satisfying for night time shooting, which is when I’m usually out with my camera!
Next up: the 85mm f/1.2L II. (“Hi, my name is David, and I have an addiction to fast lenses.”)
#BostonSnow, December 5th
Our planned programming is interrupted by the first real snowfall of the year. A few photos, taken in Davis Square and along the Grove-Cedar path in Somerville:
There’s a couple more in the gallery and all of them are licensed under the Creative Commons BY-NC-SA 3.0 license.
OT: Some thoughts on the Nokia N900
Admittedly this is a bit off-topic, but I am still a little bit of a geek (forgive me).
In the not-too-distant past, Nokia announced their N900 “mobile computer” and it was an immediately enticing device: a large & very high resolution touch screen, a physical slide-out keyboard, 3G frequencies that will work with my carrier (T-Mobile), and oh, it runs a relatively-unmolested Linux too.
Frustration with my blackberry peaked a week or so ago and I ordered an N900 from Nokia, admittedly with a slight amount of trepidation – unsubsidized phones are expensive and this is their flagship! It arrived the next business day and I’ve been getting settled into it since.
In a nutshell, it’s almost exactly as I expected: gorgeous hardware, software that’s still a little rough around the edges but lots of potential for improvement. Interested in details, including some talk of the phone’s camera? Read on.
Otherwise, my next post will likely be waxing poetic about the utterly enchanting Canon 24mm f/1.4L II lens!
Canon TS-E 90mm f/2.8
A while ago I had rented the Canon TS-E 90mm f/2.8 lens. Why? I wanted something fun to play with, and had always been curious about the TS/E lenses. The 90mm also had a reputation for being very sharp (which it was!) and it had a high maximum magnification as well.
The tilting mechanism was what I was most interested in, and was also the weirdest thing about the lens. The plane of focus does *not* stay parallel to the lens as you tilt it. It also moves as you focus the lens in addition to as you tilt it. It’s still usable hand-held but when it’s absolutely critical you nail the plane of focus, a tripod is in your future. A good explanation of how tilt works can be found here from Northlight Images.
When you abuse the tilt, you can blur the heck out of an image like so: